INT. YOUR LIVING ROOM - 11:47 PM
Say your line.
Cue reads the rest.
Cue performs every other character, waits for your pause, and comes in on cue while you record. Put the pages down and act.
For iPhone. Out now on the App Store.
Most self-tapes get made the hard way: a roommate talked into reading, your own voice on a second phone, or the pages held up out of frame.
Cue is the reader you wish you had. Ready at midnight, patient through take twelve. The performance is yours.
By actors, for actors. Built independently, with respect for the craft.
From sides to sent in three moves.
1.BRING YOUR SIDES
Paste it, drop a PDF, or photograph the page. Cue finds the characters and lays out the sides.
2.CAST THE VOICES
Say which part is yours. Give everyone else a voice and a direction.
3.ROLL
Hear it, run it, or tape it. Your line stays near the lens and the reader answers on cue.
Learn it. Live in it. Tape it.
Three ways in, depending on where you are.
Hear the whole scene
Every character in its own voice while the script follows word by word. Learn it anywhere.
Listening
Run it till you’re off book
Your cue lights up, Cue listens for the end of your line, hands free. Run it until it lands.
Tape it with the lines up
A clean take with your eyeline at the lens, then cut, slate, and export.
NOBODY HAS TO TAPE ALONE
Read with a friend.
Or read it yourself.
Cue's reader is there at midnight when nobody else is. When you do want a person in the scene, that is the easy part.
Send the scene to a friend
They open Cue free, record any character's lines from their own phone, and their read lands in your project. Reading for a friend never costs them a thing.
Or put your own voice on it
Record any character yourself, once, and act opposite your own read in every take. No generated voice anywhere in the scene unless you want one.
Built by actors, around how actors work.
On cue, every time
Cue hears your line end and takes the next one. No tapping, no glancing away.
It waits for you
A dramatic beat is not a missed cue. Cue follows the line, not the clock.
An eyeline casting notices
Your line sits near the lens, so your eyes stay in the scene.
Direct the read
Write a note like you would for a person: gravelly, world-weary, slow.
Deadlines on the page
Put a due date on a scene and see what to tape first.
The edit, without a laptop
Trim the take, slide reader lines, balance the levels, add a slate.
One file, ready to send
Export one video, mixed and leveled. Upload it and get your night back.
Simple pricing. Start free.
Free for 14 days, everything included. No card.
Annual
Every feature, unlimited scripts and takes, all year.
Monthly
Month by month. Less than an hour with a human reader.
Day Pass
Due tomorrow? 24 hours of everything. Nothing to cancel.
Subscriptions include a 14-day free trial and can be changed or cancelled anytime. Reading for a friend is always free.